Famous Temples in India

Architecture

Sri Kaitabheshwara Temple is facing in East direction and constructed in Hoysala style of architecture. The pillars of the Mandapa are circular, lathe turned and polished, those places over the Jagati are fluted and shorter. Temple consists of Navaranga Mantapa and Sabha Mantap. One of boys spotted a peacock drawing inscribed on one of the pillars. The base of the outerwall of the open hall (mukhamandapa) has decorative motifs, pilasters surmounted by miniature decorative pyramidal shaped turrets with gargoyle faced (kirtimukha) scrolls. The seating area in the hall (kakshasana) is treated with floral decorations. On the temple walls images body of a horse and heads of various animals and birds. The walls of the shrine and vestibule stand on a base (adisthana) that is composed of five moldings. Halegannada inscriptions on the Sukanasi. This is not the only one, the temple had inscriptions on seven or eight places, few on Sukanasi and few on flat portions of the pillars.

The sculptural motifs and friezes, the decorative articulation, the shape of superstructure (shikhara) and the design of pillars in this temple are those commonly found in other Western Chalukyan temples. On the outer walls of the shrine and vestibule are pilasters of two types full length pilasters that reach up to the heavy though inconspicuous eaves, and half length pilasters that support miniature decorative towers (Aedicula) of various kinds (such as latina and bhumija). The sculptures of Mahishamardini ( a form of the Hindu goddess Durga, Bhairava ( a form of the god Shiva), and Ganesha can be found on the main tower. The base of the outerwall of the open hall (mukhamandapa) has decorative motifs, pilasters surmounted by miniature decorative pyramidal shaped turrets with gargoyle faced (kirtimukha) scrolls. The seating area in the hall (kakshasana) is treated with floral decorations. The pillars of the mandapa are characteristically circular, polished and lathe-turned, with those pillars that are mounted on a platform (jagati) being fluted and shorter in height. The ceilings are ornate and the typical Hoysala style parapet over the eaves has sculptural representations of Ugra Narasimha, Varaha (the boar, an incarnation of the god Vishnu), Garuda (the eagle) and Keshava (a form of the god Krishna). The doorjamb at the entrance to the vestibule and sanctum are typically ornate and Hoysala in character, with the lintel displaying a sculpture of "Gajalakshmi" (the Hindu goddess Lakshmi with elephants on either side).

Temple plan - The temple has a single square shaped shrine (garbhagriha) with an east–west orientation, a vestibule that connects the sanctum (cella or vimana) to the main large open hall (mukhamantapa) that has a staggered square plan and can be entered from five sides, two lateral and one each in the north, south and east. The walls of the shrine and vestibule stand on a base (adisthana) that is composed of five moldings. The superstructure over the sanctum is four-tiered (chatustala arpita). It is crowned by a large domed roof that looks like a "helmet" (amalaka) and whose shape follows the shape of the shrine (square in this case). The "helmet" is the largest sculptural piece in the temple, it is beautifully carved and well decorated. Atop the dome is a beautiful water-pot like stone structure (kalasha) that forms the pinnacle of the tower. In case of those temples where the original pinnacle is lost, a metallic structure is normally used as a replacement. The tower over the vestibule (sukanasi or "nose"), which is actually a protrusion of the main tower, faces east. The open mantapa is large and its ceiling is supported by massive lathe-turned circular pillars. The relief work in the central panel of the hall ceiling is particularly noteworthy and the overall preservation of the temple is good.