The main deity of this temple is Thillai Nataraja, who is an incarnation of Lord Shiva facing South direction is a Swayambhu.
Umayambikai and Sivakama Sundari are consorts of Thillai Nataraja.
Interesting Facts
Best Season To Visit
The best season to visit this temple is Winter season. The best months to visit are September to March.
Weather
Highest - April to June (38°C during day and 26°C during night)Average - May (37 °C during the day and 21 °C during night)Lowest - October to February (30 °C during day and 18 °C during night)Monsoon season - August to September
Dress Code
Do's & Dont's
transport connections
Name | Distance | Contact Number |
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Chidambaram Bus Stand
|
750 MTRS | 1800-419-4287 |
Chidambaram Railway Station
|
1.6 KM | 139 |
Puducherry Airport |
67.5 KM | 0413-2255506 |
Architecture
Origin of the Name - The story of Chidambaram begins with the legend of Lord Shiva strolling into the Thillai Vanam (Vanam meaning forest and thillai trees - botanical name Exocoeria agallocha, a species of mangrove trees - which currently grows in the Pichavaram wetlands near Chidambaram. The temple sculptures depicting the Thillai trees date back to the 2nd century C.E.).
The temple is built in Dravidian style of architecture. The temple has 9 gateways symbolizing the 9 orifices in human body. Of these 9 gateways 4 are has gopurams each facing the 4 cardinal directions North, East, South and West.
THE EAST GOPURAM - The East Gopuram was built by Kulottunga-III with a massive granite and brick structure. Each is a gigantic masterpiece in itself - about 250 feet in height, with 7-tiers. The Western tower is the oldest one. In the towers, on either side of the gateways there are representations of the 108 poses of the classical Bharata Natyam Tradition as enunciated in the Classic Natya Sastra. The towers are embellished with images from Hindu mythology. From the second tier onward, on each of the gopuram, are seen images of various manifestations of Shiva such as Bhikshatana, Kankala (both being ascetic forms), Kalyanasundarar, Somaskandar etc. There are no representations of Nataraja on the temple towers, as this image is reserved for the innermost shrine alone.
The sanctum sanctorum housing the Nataraja statue is called the Chit Sabha or Ponnambalam is a wooden structure supported with wooden pillars, with a hut shaped roof. In this hall, that the images of Nataraja and Sivakami are housed, The five pillars of the Chit Sabha indicates the five senses. The roof of this Sabha contains 9 kalasas depicting the 9 dwaras (gateways) in the human body (namely 2 eyes, 2 nostrils, 2 ears, mouth, rectum, genitals). The roof has 22600 tiles denoting the number of times a person can breathe in a day. The tiles are fixed to the roof using 72000 nails depicting the number of nadis (channels of prana in the body). Immediately in front of the Chit Sabha is the Kanaka Sabha. its roof is made of copper, although Kanaka means gold. This is the gold of spiritual treasure - To experience Shiva's dance from so near. Kanaka Sabha is immediately in front of the Chit Sabha, both being on an elevated platform as mentioned before, with silver panelled doors in front. The Chit Sabha itself is a meter or so higher than the Kanaka sabha and is reached by a flight of 5 silver plated steps, marking the five aksharas (or syllables) of the Panchakshara Mantram (the five syllabled Namasivaya).The Nritta Sabha is the shrine in the form of a ratha or chariot, pulled by two stone horses. It is situated opposite the Cit Sabha, in the third courtyard. It is the place of the dance contest between Nataraja and the Goddess Kali. The Deva Sabha or the house of gods is also in the second prakaram, housing festival images of the Pancha Murtis (Somaskandar, Parvati, Vinayaka, Subramanya and Chandikeswara) and other deities. Mulanathar, or the representation of Shiva as a lingam is housed in the second prakaram.
Raja Sabha is the Thousand pillar hall in the second courtyard. There is a koneru named as Shivaganga, Paramananda Koopam, Vyakrapada theertham, Anantha theertham, Nagacheri, Brahmma theertham, Shivapriyai, Pulimedu, Kuyyatheertham, Tiruparkadal.
Religious Significance
LEGEND 1- Goddess Kali who was the protector of the Thillai Vanam [Forest] refused Shiva to perform his dance. Shiva challenged Kali to dance along with him and put forward a condition that the loser shall be banished from the place. Kali accepted and both the supreme powers started dancing to the rhythm of life matching each other’s every step until at a certain point Lord Shiva performed the Urdhva Tandava raising his leg over his head. Seeing the breathtaking posture of Lord Nataraja, Kali Devi [Goddess] accepted defeat and moved to the Northern end of the temple and stayed there. A shrine dedicated to Kali Devi is present at the same Northern end of the Thillai Nataraja Temple. Vyaghrapadar and Patanjali requested Shiva to stay at Chidambaram as the Lord Nataraja so that all the earthly beings could have the opportunity to witness the cosmic dance of life that is the basis of the whole world and seek blessing from the Supreme god of gods.
LEGEND 2 - The legend behind this temple proves that Lord Shiva is beyond space and time, as he controls the creation, destruction and recreation by means of his cosmic dance. The story starts with a group of sages who lived in the Thillai Forests of Chidambaram. They believed that magic can overpower god and mantras and rituals can control god. Shiva in order to teach them a lesson wandered along the forests in the form of a beggar seeking alms with Vishnu taking the form of Mohini following Shiva as his wife. The wives of rishis were captivated by the elegance and charm of the handsome mendicant and the young rishis fell for the immense beauty of Mohini. The older rishis who got annoyed by this started a homam [sacrificial fire] to raise fearsome and powerful creatures from the fire. At first they sent a tiger towards Shiva, he holds it with his hand and nails it and made it lifeless. He wore the tiger skin as his vastra [cloth]. Not moved by this act, the rishis sent a poisonous serpent which Shiva got hold and ornamented his neck with it, and then a demon “Mulayakan” was sent. Shiva placed his feet on Mulayakan’s head and broke his spine which made him motionless under the lord’s feet. Shiva started dancing on the demon when the rishis sent the sacrificial fire itself on Shiva which he placed on his left hand. Having lost the fire, the rishis sent the vedic mantras as their last astra [weapon]. Shiva wore it on his ankles. The rishis then accepted their defeat and Shiva revealed his true identity and started the divine cosmic dance Urdhva Tandava before them and the world vibrated and all the beings were immersed in deep trance emerging from the feet of Shiva. Vishnu who witnessed this dance of life explained it to Adishesha, the serpent on which Lord Vishnu reclines. After seeking permission from Lord Vishnu Adishesha visited Lord Shiva and presented his desire to witness the divine dance. Lord Shiva asked him to visit Vyagrapuram where he promised to dance one day. Adishesha was then born on Earth as Pathanjali. He approached Vyaghrapadar and told him of his life purpose. Vyaghrapadar who was delighted to hear this as he was so devoted to Shiva and himself desired to watch the cosmic dance accompanied Pathanjali and visited the temple and started seeking the honor of witnessing the performance by praying to the lord himself. Thus the waiting ended on a special day of the Poosam star during the Tamil month of Thai when all the celestial musicians, devas, sages, all gathered at the temple when Lord Shiva appeared beating drums and showering blessings.
LEGEND 3 - Sage Vasishta, revered as leader of Rishis had a relative Madyandinar by name. He had a son named Maadyandinar (the first name is short in sound, the next longer – spelling differs). Sage Vasishta advised that the boy should worship the Swayambulinga in Thillai Vanam forests for gaining complete spiritual wisdom. Son Maadyandinar reached this place. He was sad that he lost his puja time in picking up flowers after sunrise and these flowers were not pure as the honey in the same are taken away by the bees. He appealed to Lord Shiva saying that he was unable to pick the flowers in darkness due to lack of light and the flowers become unfit if picked after sunrise. Lord granted him hands and legs as that of a tiger to climb the tree and a bright vision to the eyes functioning well even in utter darkness. Lord also said that he would be known hence forth as Vyakrapada as had the legs as a tiger. Vyakrapada was too happy with the boon and name and continued his worship in Thillai.
LEGEND 4 - There is another recent legend associated with this temple. The sacred Tamil works of the Nayanmaars had been missing for several years, and it was during the period of Raja Raja Chola (the builder of the Grand temple at Tanjavur) that formal research was initiated to trace these fine works of devotional literature. These works of the Saivite Saints - rich in musical content were recovered in a dilapidated state in one of the chambers in this vast temple, after the monarch brought images of the Saint trinity in procession to the temple.
The first historical references can be found in the Skanda Purana, especially in the Suta Samhita part. Here Shanmukha, the six-faced son of Shiva and Parvati, is described as worshipping his parents in Chidambaram, before going to do battle with a demon called Surapadma. This text can be dated to the second century B.C.
History
The temple was built 1175 C.E. and in 1200 C.E. There have been several renovations and offerings to Chidambaram by the Pallava, Chola, Pandya, Vijayanagara and Chera royals in the ancient and pre-medieval periods. The temple as it stands now is mainly of the 12th and 13th centuries, with later additions in similar style. All the four Saivite saints, Gnanasambandar, Tirunavukkarasar, Sundarar and Manickavasagar had praised Lord Nataraja in their moving devotional hymns Thevaram and Tiruvasagam. Muthuswamy Deekshitar, one of the foremost composers in the Karnatic Music tradition sings the glory of this temple in his kriti 'Ananda Natana Prakasam'. The Alwar Poems of the Naalayira Divya Prabandam sing the glory of Vishnu, whose image is also housed in this temple. Adi Sankara is said to have presented a Spatika lingam which is still under worship in this temple. Sekkizhaar's Periya Puranam, describing poetically the life of the Saivite Saints (63 in number) was composed in the 1000 pillared hall.
Temple Timings
Day | Timings | |
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All Days | 05:00 AM - 12:00 PM | 04:00 PM - 10:00 PM |
Pooja
Tours
Airports
Airport Name | Distance |
---|---|
Shamshabad | 40 KM |
Lorem Ipsum | 12 KM |
Railway Stations
Railway Station Name | Distance |
---|---|
Secunderabad | 10 KM |
Nampally | 12 KM |
Begumpet | 6 KM |
Lingampally | 20 KM |
Bus Stations
Bus Station Name | Distance |
---|---|
MGBS | 35 KM |
CBS | 28 KM |
kukatpally | 20 KM |
Lingampally | 30 KM |
Uppal | 35 KM |
Private Transports
Transport Name | Distance | Contact Number |
---|---|---|
Private Transport | 8 KM | 9546858757 |
Private Transport1 | 8 KM | 9546858757 |
Private Transport1 | 8 KM | 9546858757 |
Private Transport1 | 8 KM | 9546858757 |
Private Transport1 | 8 KM | 9546858757 |
Local Transports
Transport Name | Distance | Contact Number |
---|---|---|
Local Transport | 5 KM | 9546858757 |
Local Transport1 | 5 KM | 9546858757 |
Local Transport1 | 5 KM | 9546858757 |
Local Transport1 | 5 KM | 9546858757 |
Local Transport1 | 5 KM | 9546858757 |
Nearest Temples
Sri Rama took rest here after the battle in lanka
One of the 4 Vaishna Shrines with syambhu moorthis of Lord Vishnu
Varaha Perumal blessed the river Sankarabharani as Uttarvahini here
One of the 276 Devara Paadal Petra Sthalams and 17th Shiva Sthalam
Mangalasasanam hymns have been rendered by Thirumangai Azhwar here
Lord is seen with sixteen hands here
This is the only temple where Narasimha is seen in a sleeping posture
One of the 276 Paadal Petra Sthalams
Arunagirinadhar termed this temple as hillock frequented by monkeys
Nearest Attractions
Pichavaram is the 2nd largest Mangrove forest in the world
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